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A gang of five diverse oddball criminal types rent a two-room apartment in an old house on a London cul-de-sac from an octogenarian widow with three pet parrots. The group’s mastermind, Professor Marcus, tells her a cover story that they are members of an amateur string quintet and would like to use the rooms to hone their musical skills. In reality, they’re plotting to rob an armored bank van and plan to use Mrs. Wilberforce’s naiveté and her Victorian sensibilities to their advantage.
This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities (“Alice”), possessed communication devices (“The Radio”), vampires and serial killers in lust (“Call Girl”), mad inventors (“The Professor’s Wife”), and hauntings from beyond the grave (“Haunted Dog”).
A true story, Bela Kiss was one of the the most brutal serial killers, who killed 23 young women during the beginning of the first World War. The blood-drained bodies were found in metal barrels, conserved in alcohol. According to rumors, he was still seen decades later, in different parts of the world. He never was found and so the whereabouts of this man are unknown, even today. Almost a century later, five bank robbers search for a hideaway in a remote hotel, as they flee from the police. Brutal and unforeseen events take overhand and build a bridge to the past. The assumed safe house turns into a nightmare… is Bela Kiss still alive?
FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel’s best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders–murders that could only have been committed by one man: David Allen Griffin. One of Joel’s most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel’s inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.